504 products in Books, Music, Movies & TV

- Includes 3 individually wrapped sets. - Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more. - Burly Slinkys are ideal for players who prefer a heavier set of strings for thicker tone and more tension. - Bright, balanced tone. - Crafted in the USA with the freshest and finest materials.

Color: Burly (11-52)    Style: 3-Pack

- Includes 3 individually wrapped sets. - Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more. - Turbo Slinkys differ ever so slightly from the time-honored Regular Slinky gauge and are perfect for players who want just a touch lighter tension on the high strings. - Bright, balanced tone. - Crafted in the USA with the freshest and finest materials.

Color: Turbo (9.5-46)    Style: 3-Pack

- Includes 3 individually wrapped sets. - Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more. - Mega Slinkys resemble our popular Power Slinky set but with just slightly less tension on the higher strings. - Bright, balanced tone. - Crafted in the USA with the freshest and finest materials.

Color: Mega (10.5-48)    Style: 3-Pack

- Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more - Ernie Ball’s original 11-gauge Slinky set, Power Slinky offers players a thicker string than a standard 10-gauge set - Element Shield Packaging prolongs string life and keeps strings as fresh as the day they were made - Bright, balanced tone - Made in California, USA with the finest and freshest materials

Color: Power (11-48)    Style: Single Pack

- Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more - Extra Slinky brings extra light tension for fast and easy play across the fretboard - Element Shield Packaging prolongs string life and keeps strings as fresh as the day they were made - Bright, balanced tone - Made in California, USA with the finest and freshest materials

Color: Extra (8-38)    Style: Single Pack

- Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more - Primo Slinky’s 9.5-to-44 gauge sits right between our two most popular sets: Regular Slinky and Super Slinky - Element Shield Packaging prolongs string life and keeps strings as fresh as the day they were made - Bright, balanced tone - Made in California, USA with the finest and freshest materials

Color: Primo (9.5-44)    Style: Single Pack

- Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more - Magnum Slinky strings are ideal for players who prefer a heavier set with a wound G - This combination is perfect for players who want optimal tension at drop tunings for heavy riffs and chugging chords - Element Shield Packaging prolongs string life and keeps strings as fresh as the day they were made - Made in California, USA with the finest and freshest materials

Color: Magnum (12-56)    Style: Single Pack

- Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more - Hyper Slinkys provide a light, fast feel with slightly less tension on the top strings - Hyper Slinky are perfect for players who are looking for added playability with minimal differences in tone and tension to the Super Slinky strings - Element Shield Packaging prolongs string life and keeps strings as fresh as the day they were made - Made in California, USA with the finest and freshest materials

Color: Hyper (8-42)    Style: Single Pack

The story of the idealists, technologists, and opportunists fighting to bring cryptocurrency to the masses. In their short history, Bitcoin and other cryptocurrencies have gone through booms, busts, and internecine wars, recently reaching a market valuation of more than $2 trillion. The central promise of crypto endures—vast fortunes made from decentralized networks not controlled by any single entity and not yet regulated by many governments. The recent growth of crypto would have been all but impossible if not for a brilliant young man named Vitalik Buterin and his creation: Ethereum. In this book, Laura Shin takes readers inside the founding of this novel cryptocurrency network, which enabled users to launch their own new coins, thus creating a new crypto fever. She introduces readers to larger-than-life characters like Buterin, the Web3 wunderkind; his short-lived CEO, Charles Hoskinson; and Joe Lubin, a former Goldman Sachs VP who became one of crypto’s most well-known billionaires. Sparks fly as these outsized personalities fight for their piece of a seemingly limitless new business opportunity. This fascinating book shows the crypto market for what it really is: a deeply personal struggle to influence the coming revolution in money, culture, and power.

Un monde engagé dans le difficile passage de la féodalité à la Renaissance, de la théocratie à la science. Un monde ravagé par des guerres et par des ambitions. Mais qui n'est pas notre Terre. Cette planète connaît une autre histoire. Tout aussi barbare. Et sur ce monde étranger, éloigné dans le temps et dans l'espace, qui ne sait rien d'autres civilisations essaimées dans l'espace, deux étrangers se croisent, s'effleurent à peine. Un médecin, Vossll, qui est aussi une femme, et un guerrier, Dewar. Ils n'ont apparemment rien en commun, sauf de surprenants savoirs. Au jeu de la compassion et de la cruauté, ils vont échanger leurs rôles. Avant peut-être de retourner vers leur véritable univers. Inversions est le cinquième volet du cycle de la Culture. Les quatre précédents, Une forme de guerre, L'Homme des jeux, L'Usage des armes et Excession ont été publiés dans la même collection.

Early in the year 1789 the French nation found itself in deep financial embarrassment; and this was speedily followed by calls for an issue of paper money. By August 1, 1795, some six years later, the gold 25 francs coin was worth in paper, 920 francs; on September 1st, 1,200 francs; on November 1st, 2,600 francs; on December 1st, 3,050 francs. In February, 1796, it was worth 7,200 francs or one franc in gold was worth 288 francs in paper. Prices of all commodities went up nearly in proportion. This story, of how a first world nation turned to paper money and destroyed itself, its people and its economy in the process, even arguably setting in motion the rise to power of Napoleon Bonaparte, is told in this book by Andrew Dickson White, academic, ambassador and author. As ever, history remains our best guide of what the future holds, and, considering our Fiat money system today, sounds a warning call that should be heeded.

A "compelling indictment of the news media's role in covering up errors and deceptions" (The New York Times Book Review) due to the underlying economics of publishing—from famed scholars Edward S. Herman and Noam Chomsky. With a new introduction. In this pathbreaking work, Edward S. Herman and Noam Chomsky show that, contrary to the usual image of the news media as cantankerous, obstinate, and ubiquitous in their search for truth and defense of justice, in their actual practice they defend the economic, social, and political agendas of the privileged groups that dominate domestic society, the state, and the global order. Based on a series of case studies—including the media’s dichotomous treatment of “worthy” versus “unworthy” victims, “legitimizing” and “meaningless” Third World elections, and devastating critiques of media coverage of the U.S. wars against Indochina—Herman and Chomsky draw on decades of criticism and research to propose a Propaganda Model to explain the media’s behavior and performance. Their new introduction updates the Propaganda Model and the earlier case studies, and it discusses several other applications. These include the manner in which the media covered the passage of the North American Free Trade Agreement and subsequent Mexican financial meltdown of 1994-1995, the media’s handling of the protests against the World Trade Organization, World Bank, and International Monetary Fund in 1999 and 2000, and the media’s treatment of the chemical industry and its regulation. What emerges from this work is a powerful assessment of how propagandistic the U.S. mass media are, how they systematically fail to live up to their self-image as providers of the kind of information that people need to make sense of the world, and how we can understand their function in a radically new way.