541 products in Books, Music, Movies & TV

- IN THE BOX: 6-foot XLR male to female microphone cable (2-pack) for XLR-compatible PA systems, speakers, and other sound equipment - CLEAR TRANSMISSION: All-copper conductors with inner copper spiral shielding to reduce noise interference - DURABLE DESIGN: Zinc alloy 3-pin connectors with nickeling; protective metal housing and flexible 6.0mm PVC jacket - USES: Designed for studio recording and live sound

Size: 6 Feet    Style: 2-Pack

- HONEST. Eris 4.5BT near field studio monitors deliver studio-quality, accurate sound perfect for music production, hi-fi audio listening, or multimedia reference. - EXPRESSIVE. Clear, accurate audio with a big low end — Eris 4.5BT's woven-composite woofers’ weave and nature result in tight bass that you can feel, as well as cleaner overall sound. - POWERFUL. Compact speakers that pack a punch — 50 Watts of Class AB dual amplification (25W per side) provide all the volume and loudness you want without sacrificing tonal balance or audio clarity. - BLUETOOTH 5.0 WIRELESS CONNECTIVITY. Ultra-reliable Bluetooth 5.0 delivers seamless integration with your other devices while flexible wired connection options ensure easy compatibility with virtually any monitoring setup – so you can plug in, pair up, and get to work without missing a beat. - ULTRA-WIDE LISTENING SWEET SPOT. The natural high-frequency response of the 1-inch low-mass, silk-dome transducers (tweeters) provide superior stereo imaging from nearly any listening angle. - ALL THE CONNECTIONS YOU NEED. ¼-inch TRS balanced inputs on the back panel for professional audio devices, unbalanced RCA inputs for consumer electronics, plus a convenient front-panel ⅛-inch TRS stereo aux input for your phone. - PRECISION-TUNE TO YOUR ROOM. High- and low-frequency tuning controls allow you to customize your audio output for your ears, room size, and speaker orientation. Whether on a desk, bookshelf, or next to a turntable or record player, Eris 3.5BT's produce clear, room-filling sound. - QUICK-SWITCH TO HEADPHONES. The easy-access front panel headphone output and built-in headphone amplifier allow for plug-and-play headphone media reference when needed. - ADD MORE LOW END. The 50W, 8-inch companion Eris Sub 8BT studio subwoofer delivers a massive low-frequency boost and Bluetooth connectivity to your Eris 4.5BT’s, creating a powerful 2.1 speaker system. - POWER SAVER MODE. Power-saving mode auto engages after 40 minutes of idle time.

Size: 4.5" BT Gen 2    Color: White

- IN THE BOX: 10-foot XLR male to female microphone cable (2-pack) for XLR-compatible PA systems, speakers, and other sound equipment - CLEAR TRANSMISSION: All-copper conductors with inner copper spiral shielding to reduce noise interference - DURABLE DESIGN: Zinc alloy 3-pin connectors with nickeling; protective metal housing and flexible 6.0mm PVC jacket - USES: Designed for studio recording and live sound

Size: 10 Feet    Style: 2-Pack

¿Qué es la renta básica? ¿Por qué la han defendido tanto liberales como socialdemócratas, comunistas, feministas o ecologistas? ¿Es eficiente desde el punto de vista del crecimiento económico y de la creación de empleo? Y sobre todo: ¿es justa? Éstas son algunas de las preguntas a las que da respuesta Juan Ramón Rallo en Contra la renta básica, un libro que aborda la que probablemente termine siendo la política redistributiva más importante del siglo XXI. En contra de lo que suele pensarse, la principal razón por la que el autor rechaza la renta básica no es económica, sino ética: la solidaridad es un fin muy loable, pero no puede ser impuesta por la fuerza. «No es el fin el que justifica los medios, sino que son los medios los que permiten justificar los fines»: también en el caso de la redistribución estatal de la renta. Según demuestra Rallo analizando críticamente las principales corrientes filosóficas contemporáneas como la socialdemocracia, el republicanismo, el comunismo, el utilitarismo, el feminismo o el ecologismo, la redistribución coactiva de la renta no puede justificarse desde un punto de vista ético: forzar a una persona a subordinar sus proyectos vitales a los proyectos vitales de los demás es injusto, intolerante y contrario a las bases sociales de la convivencia. De ahí que sólo el liberalismo proporcione un marco de justicia que permite el desarrollo moral de cada individuo sin interferir violentamente sobre el desarrollo moral del resto de individuos. Y de ahí que la renta básica, al vulnerar la mucho más básica libertad personal, sólo nos aleje de ese ideal de una sociedad genuinamente voluntaria y cooperativa. En el presente ensayo no sólo encontrará la crítica más completa y sistemática a la redistribución coactiva de la renta por parte del Estado, sino también todo un tratado de filosofía política dirigido a reivindicar y defender el liberalismo como una realista utopía integral e integradora frente a sus principales alternativas ideológicas.

- Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more - One of the original Slinky gauges, Super Slinky has remained one of the most popular electric guitar strings for decades - Element Shield Packaging prolongs string life and keeps strings as fresh as the day they were made - Bright, balanced tone - Made in California, USA with the finest and freshest materials

Color: Super (9-42)    Style: Single Pack

- Dual AD circuitry with 32-bit float recording technology, up to 192kHz sample rate - Clip-free recording without the need to set gain - High-quality mic preamps for clean, low noise recordings - 2x XLR/TRS combo inputs / Headphone output / 2x TRS outputs - Compatible with Windows, Mac, and iOS devices

- Sturdy. Heavy-duty steel and zinc construction with extra-thick tubing and premium threading for dependable performance. Nonslip rubber feet stop skids to ensure the stand stays safely in place. - Versatile. 19″–30″ telescoping boom with metal shafts, clutch, threaded stems, and counterweight for precise mic placement with outstanding stability and balance. - Adjustable. Ergonomic clutch grip and nonrotating lower shaft for ease of height adjustment. The main stand height adjusts 36″–64″ for miking vocals and a wide range of instruments as well as for overhead use. - Dependable. Bolts in the leg housing tighten and loosen the leg joints, enabling the user to maintain the tension over many years of use as well as increase and decrease the tension based on personal preference. - Portable. Tripod base quickly folds down flat for ease of load in, setup, teardown, and load out while also enabling compact storage and efficient transportation.

- Incluye 3 juegos individuales envueltos - Las cuerdas Slinky de Ernie Ball son las elegidas por leyendas de la música como Slash, Jimmy Page, Metallica, Eric Clapton y muchos más - El calibre 10-48 de las Ultra Slinky combina las cuerdas altas de famosísimo juego Regular Slinky y las cuerdas bajas del juego Power Slinky, ligeramente más gruesas - Tono alegre y equilibrado - Fabricación en California (EE. UU.) con los materiales más recientes y de la óptima calidad

Color: Ultra (10-48)    Nombre de estilo: 3 paquetes

- Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more - Mega Slinkys resemble our popular Power Slinky set but with just slightly less tension on the higher strings - Element Shield Packaging prolongs string life and keeps strings as fresh as the day they were made - Bright, balanced tone - Made in California, USA with the finest and freshest materials

Color: Mega (10.5-48)    Style: Single Pack

- Includes 3 individually wrapped sets - Ernie Ball Slinkys are played by legends around the world including Slash, Jimmy Page, Metallica, Eric Clapton, and more - One of the original Slinky gauges, Super Slinky has remained one of the most popular electric guitar strings for decades - Element Shield Packaging prolongs string life and keeps strings as fresh as the day they were made - Bright, balanced tone

Color: Super (9-42)    Style: 6-Pack

THE NEW YORK TIMES BESTSELLER “A riveting account... Reads like a literary thriller... Snowden pushes the reader to reflect more seriously on what every American should be asking already.” ―The New York Times Edward Snowden, the man who risked everything to expose the US government’s system of mass surveillance, reveals for the first time the story of his life, including how he helped to build that system and what motivated him to try to bring it down. In 2013, twenty-nine-year-old Edward Snowden shocked the world when he broke with the American intelligence establishment and revealed that the United States government was secretly pursuing the means to collect every single phone call, text message, and email. The result would be an unprecedented system of mass surveillance with the ability to pry into the private lives of every person on earth. Six years later, Snowden reveals for the very first time how he helped to build this system and why he was moved to expose it. Spanning the bucolic Beltway suburbs of his childhood and the clandestine CIA and NSA postings of his adulthood, Permanent Record is the extraordinary account of a bright young man who grew up online―a man who became a spy, a whistleblower, and, in exile, the Internet’s conscience. Written with wit, grace, passion, and an unflinching candor, Permanent Record is a crucial memoir of our digital age and destined to be a classic.

In December 2010, Julian Assange signed a contract with Canongate Books to write a book - part memoir, part manifesto - for publication the following year. At the time, Julian said: 'I hope this book will become one of the unifying documents of our generation. In this highly personal work, I explain our global struggle to force a new relationship between the people and their governments.' In the end, the work was to prove too personal. Despite sitting for more than fifty hours of taped interviews and spending many late nights at Ellingham Hall (where he was living under house arrest) discussing his life and the work of WikiLeaks with the writer he had enlisted to help him, Julian became increasingly troubled by the thought of publishing an autobiography. After reading the first draft of the book at the end of March, Julian declared: 'All memoir is prostitution.' In June 2011, with thirty-eight publishing houses around the world committed to releasing the book, Julian told us he wanted to cancel his contract. We disagree with Julian's assessment of the book. We believe it explains both the man and his work, underlining his commitment to the truth. Julian always claimed the book was well written; we agree, and this also encouraged us to make the book available to readers. And the contract? By the time Julian wanted to cancel the deal he had already used the advance money to settle his legal bills. So the contract still stands. We have decided to honour it - and to publish. This book is the unauthorised first draft. It is passionate, provocative and opinionated - like its author. It fulfils the promise of the original proposal and we are proud to publish it.