383 products in Books, Music, Movies & TV

- HONEST. The Eris Sub 8BT compact 8-inch, front-firing studio subwoofer with Bluetooth wireless delivers studio-quality, accurate sound perfect for music production, hi-fi audio listening, or multimedia reference. - EXPRESSIVE. Clear, accurate audio with a big low end – Eris Sub 8BT's woven-composite woofers’ weave and nature result in tight bass that you can feel, as well as cleaner overall sound. - POWERFUL. The surprisingly loud, 100 watt Eris Sub 8BT drops down to a molar-rattling 30 Hz, so you'll hear the full sonic spectrum and produce better mixes. - BLUETOOTH 5.0 WIRELESS CONNECTIVITY. Ultra-reliable Bluetooth 5.0 delivers seamless integration with your other devices while flexible wired connection options ensure easy compatibility with virtually any monitoring setup – so you can plug in, pair up, and get to work without missing a beat. - ULTRA-WIDE LISTENING SWEET SPOT. Highpass filter and lowpass filter (crossover) controls ensure the Eris Sub 8BT starts working at the precise frequency where your main monitors stop, avoiding the flabby, smudged, low-end mess that occurs without a crossover. - ALL THE CONNECTIONS YOU NEED. ¼-inch TRS balanced inputs on the back panel for professional audio devices, unbalanced RCA inputs for consumer electronics, plus a convenient front-panel ⅛-inch TRS stereo aux input for your phone. - PRECISION-TUNE TO YOUR ROOM. High- and low-frequency tuning controls allow you to customize your audio output for your ears, room size, and speaker orientation. - QUICK-SWITCH TO HEADPHONES. The easy-access front panel headphone output and built-in headphone amplifier allow for plug-and-play headphone media reference when needed. - FULL-FREQUENCY SOUND. Although compatible with a variety of full-range studio monitors, the Eris Sub 8BT compact studio subwoofer was designed to complement the voicing and frequency response of the full range of compact Eris studio monitors, from the ultra-affordable Eris 3.5 to the Eris 5. - POWER SAVER MODE. Power-saving mode auto engages after 40 minutes of idle time.

Size: 8" Sub BT    Style: Gen 2

BLACK & WHITE VERSION Peercoin (PPC) is a decentralised cryptocurrency similar to Bitcoin. It was the first cryptocurrency to introduce a new form of timestamping (proof of stake) that allows users of the wallet to receive a 1% rate of return on their holdings per year. This book is a detailed history of the first year of Peercoin up to the 19th of August 2013 (the time at which the blockchain had been usable for one year by the general public).

Early in the year 1789 the French nation found itself in deep financial embarrassment; and this was speedily followed by calls for an issue of paper money. By August 1, 1795, some six years later, the gold 25 francs coin was worth in paper, 920 francs; on September 1st, 1,200 francs; on November 1st, 2,600 francs; on December 1st, 3,050 francs. In February, 1796, it was worth 7,200 francs or one franc in gold was worth 288 francs in paper. Prices of all commodities went up nearly in proportion. This story, of how a first world nation turned to paper money and destroyed itself, its people and its economy in the process, even arguably setting in motion the rise to power of Napoleon Bonaparte, is told in this book by Andrew Dickson White, academic, ambassador and author. As ever, history remains our best guide of what the future holds, and, considering our Fiat money system today, sounds a warning call that should be heeded.

Un monde engagé dans le difficile passage de la féodalité à la Renaissance, de la théocratie à la science. Un monde ravagé par des guerres et par des ambitions. Mais qui n'est pas notre Terre. Cette planète connaît une autre histoire. Tout aussi barbare. Et sur ce monde étranger, éloigné dans le temps et dans l'espace, qui ne sait rien d'autres civilisations essaimées dans l'espace, deux étrangers se croisent, s'effleurent à peine. Un médecin, Vossll, qui est aussi une femme, et un guerrier, Dewar. Ils n'ont apparemment rien en commun, sauf de surprenants savoirs. Au jeu de la compassion et de la cruauté, ils vont échanger leurs rôles. Avant peut-être de retourner vers leur véritable univers. Inversions est le cinquième volet du cycle de la Culture. Les quatre précédents, Une forme de guerre, L'Homme des jeux, L'Usage des armes et Excession ont été publiés dans la même collection.

This is one man’s chronicle, at times indignant and at others reflective, of an extraordinary moment in the history of the world, a moment of crisis whose eventual resolution will have far-reaching consequences for our children and their children. The author is Professor Thomas Harrington. His primary field of study is Hispanic culture and history, with a focus on Catalonian language, history and nationalism. With a deep knowledge of the life of a particular region and language group, he cultivated a keen insight into the difference between what is authentic and organic to a social order and what is exogenous and imposed by a ruling-class structure. He has a particular curiosity about the latter. His profound awareness of this power in operation in world events allowed him to see what so many others missed: namely he knew something was very off about the Covid response from the beginning. It’s to the eternal disgrace of so many elites in the political, economic, cultural, and academic world that so many participated in the “great reset” and, further, that so many who did not participate remained silent even as essential social, market, and cultural functioning was systematically dismantled by force with the full participation of the commanding heights of society. Privileged people, whose educational background putatively provided them with greater critical thinking skills than most, and hence an enhanced ability to see through the barrage of propaganda, fell immediately and massively into line. Not only did we see them overwhelmingly accept the government’s repressive, unproven and often patently unscientific measures to contain the Covid virus, but watched many of them emerge online and in other public forums as semi-official enforcers of repressive Government policies and Big Pharma marketing pitches. They mocked and ignored world-class doctors and scientists, and anyone else who expressed ideas that were at variance with official government policies. They told us, ridiculously, that science was not a continuous process of trial and error, but a fixed canon of immutable laws, while promoting, on that same absurd basis, the establishment and enforcement of medical apartheid within families and communities. In the name of keeping their children safe from a virus that could do them virtually no harm, they greatly impeded their long-term social, physical and intellectual development through useless mask-wearing, social distancing and screen-based learning. And in the name of protecting the elderly, they promulgated medically useless rules that forced many older people to suffer and die alone, deprived of the comfort of their loved ones. Many of these people, who by dint of their educational backgrounds should have found it more easy than most to go to the primary sources of scientific information on the virus and the measures taken to lessen its impact, chose in large numbers—with doctors being very prominent among them—to instead “educate” themselves on these important matters with curt summaries derived from the mainstream press, social media or Pharma-captured agencies like the CDC and the FDA. This, paradoxically, while millions of intrepid and less credentialed people with a greater desire to know the truth, often became quite knowledgeable about the actual state of ’the science.” This devastating case of class abdication—which essentially turned the old adage about “To whom much is given, much is expected” on its head—is a central focus of this book. It was the treason of experts.

An eccentric classic of Zen poetry When Zen master Ikkyu Sojun (1394-1481) was appointed headmaster of the great temple at Kyoto, he lasted nine days before denouncing the rampant hypocrisy he saw among the monks there. He in turn invited them to look for him in the sake parlors of the Pleasure Quarters. A Zen monk-poet-calligrapher-musician, he dared to write about the joys of erotic love, along with more traditional Zen themes. He was an eccentric and genius who dared to defy authority and despised corruption. Although he lived during times plagued by war, famine, rioting, and religious upheaval, his writing and music prevailed, influencing Japanese culture to this day. "Ikkyu scandalized the Zen community of his day and is likely to scandalize some readers even now—his short poems are simultaneously bawdy, abrupt, vulgar, and reverential... It is impossible not to love the velocity and variety of his verse."—The Philadelphia Inquirer "Stephen Berg is exactly the right poet to have translated these poems."—Hayden Carruth, The Hudson Review "A deeply sensual man, Ikkyu had little patience for the fussiness of monastic life and ritual... What is especially appealing about Ikkyu's poetry is the way his sensuality infuses his Zen sensibility."—American Book Review Stephen Berg (1934-2014) was the founder and editor of American Poetry Review. Also available by Stephen Berg Steel Cricket PB $16.00, 1-55659-075-X • CUSA New & Selected Poems PB $12.00, 1-55659-043-1 • CUSA

Niccolò Machiavelli’s The Prince is one of the most influential works in the history of political thought and the adjective Machiavellian is well-known and perhaps even over-used. So why does the meaning of the text continue to be debated to the present day? And how does a contemporary reader get to grips with a book full of references to the politics of the early 16th Century? The Routledge Guidebook to Machiavelli’s The Prince provides readers with the historical background, textual analysis, and other relevant information needed for a greater understanding and appreciation of this classic text. This guidebook introduces: * the historical, political and intellectual context in which Machiavelli was working * the key ideas developed by Machiavelli throughout the text and the examples he uses to illustrate them * the relationship of The Prince to The Discourses and Machiavelli’s other works Featuring a timeline, maps and suggestions for further reading throughout, this book is an invaluable guide for anyone who wants to be able to engage more fully with The Prince.

Andrew Dickson White's classic historical essay on hyperinflation is as powerful today as when it was written.

Legal Foundations of a Free Society is an updated selection of articles published over three decades dealing with a variety of issues in libertarian rights and legal theory, including the nature and foundations of libertarianism, rights and punishment theory, causation and responsibility, contract theory, and intellectual property. The chapters have been significantly revised and updated and integrated with each other with extensive cross-references, and with an extensive bibliography and index. “… more than 40 years after the first publication of Rothbard’s Ethics of Liberty and characterized by much practical disappointment and increasing theoretical confusion, the publication of Stephan Kinsella’s present work must be considered a most welcome sign of renewed hope and new, refreshing intellectual inspiration. Indeed, with this work, that has been in the making for more than two decades, Kinsella has produced no less than an intellectual landmark, establishing himself as the leading legal theorist and the foremost libertarian thinker of his generation. While following in Rothbard’s footsteps, Kinsella’s work does not merely rehash what has been said or written before. Rather, having absorbed as well all of the relevant literature that has appeared during the last few decades since Rothbard’s passing, Kinsella in the following offers some fresh perspectives and an innovative approach to the age-old quest for justice, and he adds several highly significant refinements and improvements and some centrally important new insights to the theories of personhood, property and contract, most famously some radical criticism and rejection of the idea of ‘intellectual property’ and ‘intellectual property rights.’ … Henceforth, then, all essential studies in the philosophy of law and the field of legal theory will have to take full account of the theories and criticisms expounded by Kinsella.” —From the Foreword, by Hans-Hermann Hoppe

The Reign of Quantity and the Signs of the Times is René Guénon's most prophetic work. Having seen his telling analysis of Western culture, The Crisis of the Modern World, swiftly overtaken by events, he based this his final and most profound critique squarely on changeless metaphysical principles. He exposes with his fabled clarity the precise nature of the modern deviation, devoting special attention to the part played by modern philosophy and science (with their accompanying notions of progress and evolution) in the formation of the industrial and democratic society that we now regard as "normal." He sees history as a descent from Form (or Quality) toward Matter (or Quantity). But following after the Reign of Quantity (modern materialism and the "rise of the masses"), Guénon predicts a reign of "inverted quality" just before the end of the age: the triumph of the "counter-initiation" the kingdom of Antichrist. Although Guénon bases his critique on "abstract" principles, his examples are satisfyingly concrete: his remarks on "the degeneration of coinage" could easily be updated to include the transformation of money into electronically-stored digital information; his treatment of "the significance of metallurgy" as regards its occult dangers points directly to our own well-founded fear of such man-made elements as plutonium; and his chapter on the "cracks in the Great Wall" gives solid metaphysical grounding to our twenty-first century demonology, including the UFO phenomenon. This text is considered the magnum opus among Guénon's works of civilizational criticism, as is Symbols of Sacred Science among his studies on symbols and cosmology, and Man and His Becoming according to the Vedanta among his more purely metaphysical works. The Reign of Quantity gives a concise but comprehensive view of the present state of affairs in the world, as it appears from the point of view of the 'ancient wisdom', formerly common both to the East and to the West, but now almost entirely lost sight of. The author indicates with his fabled clarity and directness the precise nature of the modern deviation, and devotes special attention to the development of modern philosophy and science, and to the part played by them, with their accompanying notions of progress and evolution, in the formation of the industrial and democratic society which we now regard as 'normal'. Guénon sees history as a descent from Form (or Quality) toward Matter (or Quantity); but after the Reign of Quantity-modern materialism and the 'rise of the masses'-Guénon predicts a reign of 'inverted quality' just before the end of the age: the triumph of the 'counter-initiation', the kingdom of Antichrist. This text is considered the magnum opus among Guénon's texts of civilizational criticism, as is Symbols of Sacred Science among his studies on symbols and cosmology, and Man and His Becoming according to the Vedanta among his more purely metaphysical works.

- TourBox Elite is the professional controller with dual connectivity (Bluetooth & USB-C), built for a stable, high-performance experience on macOS and Windows. (Note: For desktop use only; not compatible with Linux or mobile devices like iPad and Android tablets.) - EXTENSIVE COMPATIBILITY: supports major creative softwares like Premiere, Photoshop, Final Cut Pro, Lightroom Classic, DaVinci Resolve, Capture One, After Effects, Clip Studio Paint, SAI, Camera Raw, AutoCAD, Blender, and more - THE MOST POWERFUL CUSTOM SYSTEM: Allows creators to configure each knob, button, and combined keys to their habits, usage scenarios, and programs. Unique customizable screen menus and powerful macro functions simplify complex operations - REVOLUTIONARY VIDEO EDITING & COLOR GRADING: Experience precise, intuitive timeline control with tactile feedback from dials, knobs, and scrolls. The exclusive color grading panel in TourBox Console 5 makes color adjustments simple and user-friendly - FOR PHOTOGRAPHY POST-PROCESSING: Our unique hardware and software design allow one-handed control of tasks like image selection, color grading, and adjustments. The dial aids in image selection, while the knobs provide precise color control - ULTIMATE DRAWING ASSISTANT: Compatible with drawing tablets and pen displays. A single knob adjusts brush parameters like size, flow, opacity, and hardness, canvas rotation, movement, zooming, and tool switching. Ensures a smooth drawing experience

Color: Black (Device+Cable+StorageBag)

This is a 6X9 version of the Apocrypha from the 1611 KJV Bible with LARGE 14-point text size for easy reading, especially for persons with close-up vision needs version. It contains the complete 15 rejected books: * THE BOOK OF TOBIT * THE BOOK OF JUDITH * THE BOOK OF ESTHER * THE BOOK OF WISDOM * THE WISDOM OF JESUS THE SON OF SIRACH, OR ECCLESIASTICUS * THE BOOK OF BARUCH * LETTER OF JEREMIAH * PRAYER OF AZARIAH & SONG OF THE THREE JEWS * SUSANNA * BEL AND THE DRAGON * 1 MACCABES * 2 MACCABEES * 1 ESDRAS * 2 ESDRAS * PRAYER OF MANASSAH