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- [Pickup system]: AODSK electric guitar features 5 types of pickup switches and 2 types of tone and volume controls to choose from. It is suitable for both beginners and professionals, accommodating a wide variety of musical styles - [Full Size Electric Guitar kit]: Your electric guitar set comes ready to play right out of the box.No need to buy any additional accessories, this full set comes with an amplifier and guitar cable, high-quality guitar bag, electronic tuner, 6 spare strings, guitar picks, whammy bar, capo, cleaning cloth, and guitar strap - [Electric Guitar Amplifier]: The beginners set includes a 5W amplifier with built-in dual speakers, headphone jack, and AUX input for playing music on your phone or MP3 player. The amplifier also features charging and Bluetooth capabilities for convenient use when you're out and about. It also has gain and reverb functions - [Quality Materials]: Custom-designed and handcrafted laurel fingerboard and birch neck. It translates vibrations into the rich, classic tones in the guitar through 3 pickups. The design of the C -type neck is more comfortable. The tremolo bridge system allows you to bend the pitch while playing, and the detachable tremolo arm produces a tremolo effect. Overall dimensions: 46.45*14.96*3.14 inches - [Holiday Gift]: Musical instruments and music-related gifts can not only meet the needs of music lovers,but also add a special atmosphere to the festival.Therefore,this product is a good choice for Christmas gifts,birthday gifts,and New Year gifts

Color: Blue-HSS

“Instead of 1984, read this.” —Washington Post From New York Times bestselling author Lionel Shriver, a near-future speculative fiction novel that explores the aftershocks of an economically devastating U.S. sovereign debt default on four generations of a once-prosperous American family In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. In this gripping dystopian novel, the “almighty dollar” plummets in value overnight on the international currency exchange, to be replaced by a new global currency, the “bancor.” In retaliation, the president declares that America will default on its loans. “Deadbeat Nation” being unable to borrow, the government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation. The Mandibles have been counting on a sizable fortune filtering down when their ninety-seven-year-old patriarch dies. Once the inheritance turns to ash, each family member must contend with disappointment, but also—as the U.S. economy spirals into dysfunction—the challenge of sheer survival. Recently affluent, Avery is petulant that she can’t buy olive oil, while her sister, Florence, absorbs strays into her cramped household. An expat author, their aunt, Nollie, returns from abroad at seventy-three to a country that’s unrecognizable. Her brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility isn’t affordable. Only Florence’s oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets. A potent work of financial fiction, The Mandibles is about money. Thus it is necessarily about bitterness, rivalry, and selfishness—but also about surreal generosity, sacrifice, and transformative adaptation to changing circumstances.

"A provocative and very funny page-turner..."--Wall Street Journal With dry wit and psychological acuity, this near-future novel explores the aftershocks of an economically devastating U.S. sovereign debt default on four generations of a once-prosperous American family. Down-to-earth and perfectly realistic in scale, this is not an over-the-top Blade Runner tale. It is not science fiction. In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. Overnight, on the international currency exchange, the “almighty dollar” plummets in value, to be replaced by a new global currency, the “bancor.” In retaliation, the president declares that America will default on its loans. “Deadbeat Nation” being unable to borrow, the government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation. The Mandibles have been counting on a sizable fortune filtering down when their ninety-seven-year-old patriarch dies. Once the inheritance turns to ash, each family member must contend with disappointment, but also—as the U.S. economy spirals into dysfunction—the challenge of sheer survival. Recently affluent, Avery is petulant that she can’t buy olive oil, while her sister, Florence, absorbs strays into her cramped household. An expat author, their aunt, Nollie, returns from abroad at seventy-three to a country that’s unrecognizable. Her brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility isn’t affordable. Only Florence’s oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets. The Mandibles is about money. Thus it is necessarily about bitterness, rivalry, and selfishness—but also about surreal generosity, sacrifice, and transformative adaptation to changing circumstances.

The lion cannot guard himself from the toils, nor the fox from wolves. A Prince must therefore be a fox to discern toils, and a lion to drive off wolves. The modern-day term “Machiavellian” is used to describe deception, dishonesty, and cruelty to meet a goal. The Prince by Niccolò Machiavelli was written as a guide for autocrats on how to govern using means that were meant to deceive and manipulate a government’s constituency—to the extent of advocating the use of evil for political expediency. In this classic work, the end justifies the means reigns paramount to Machiavelli’s system of government.

The Idiot by Fyodor Dostoevsky with an introduction by Agnes Cardinal, Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.